The Pot BookFrom Phaidon Press
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The Pot BookFrom Phaidon Press
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An A-Z history of ceramic art by one of the world's leading ceramic artists, Edmund de Waal.
The history of ceramic art is ingrained in the history of mankind. Clay is one of the very first materials ‘invented’ by man. An essential part of our lives it has been moulded, thrown, glazed, decorated and fired for over 30,000 years in order to preserve and transport food and water. And it was on the surface of these early jugs, vases, dishes, plates, beakers and amphorae that man placed some of his first decorative markings. In more recent times clay has been used not just by artisans and potters, but also by artists, designers and architects.
The Pot Book is the first publication to document the extraordinary range and variety of ceramic vessels of all periods, from a delicate bowl made by an unnamed artisan in China in the third millennium bc, or a jug made in eighteenth-century Dresden, to a plate made by Picasso in 1952, a ‘spade form’ made by Hans Coper or the vases of Grayson Perry today. Each entry is sequenced in alphabetical order by the name of the artist/potter, the school, or style, creating a grand tour through the very finest examples of the art form.
The Pot BookFrom Phaidon Press- Amazon Sales Rank: #362693 in Books
- Published on: 2015-09-07
- Original language: English
- Number of items: 1
- Dimensions: 11.50" h x 1.25" w x 8.75" l, .0 pounds
- Binding: Paperback
- 320 pages
Review
"sumptuous... a gorgeous tribute to the history of ceramics. If you think you don’t care about pots, this book will change your mind." —The Times Saturday
"a wonderful new book... by the presiding genius of modern studio ceramics, Edmund de Waal... informative" —Royal Academy magazine
"handsomely illustrated... This book is like an installation where the arrangement of illustrations makes the reader look with surprised attentiveness" —V&A Magazine
"This is a distinctly personal, even quirky selection - which is part of its appeal." —Bloomberg News
About the Author
Edmund de Waal apprenticed as a potter in Canterbury, before studying in Japan and Cambridge. Today his porcelain is in thirty international museum collections: most recently he has created major installations for the V&A and Tate Britain. He is working on exhibitions for museums in the UK and America and on commissions for private clients. Edmund has also written widely on art and ceramics. In June 2010 his The Hare with Amber Eyes was published by Chatto and Windus, winning the Costa Biography Award and New Writer of the Year at the Galaxy Book Awards. Edmund has also written widely on art and ceramics and his titles include 20th Century Ceramics, Timeless Beauty: Traditional Japanese Art from the Jeffrey Montgomery Collection, Bernard Leach and New Ceramic Design.
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Most helpful customer reviews
12 of 13 people found the following review helpful. What if you had never seen a painting before, and someone handed you a book with pictures of the 300 greatest paintings ever? By Erik Ketzan Slight exaggeration, but that's kind of what reading The Pot Book feels like.Obviously, I've seen ceramics before, but have never known much about ceramics or given them much thought at all. Like most people, I've hurried through the ceramics wings of even the world's best museums, focused on finding the painting and sculpture rooms on the museum map as I obliviously rushed past undoubtedly priceless collections of pots, vases, and tableware. I'm not proud of my ignorance, but hope that admitting it may help fellow ignoramuses appreciate how incredible this book is, to make even ME now love ceramics.The Pot Book is a thorough introduction to the art form, but it can be browsed just as well-- each page is a little story unto itself. There's large photos of 300 different ceramic pieces, from antiquity through the 21st century, with a couple paragraphs describing each.Many of the 300 ceramic pieces featured here are masterpieces. Almost all are fascinating. Some are minor revelations. Edmund de Waal's short paragraphs teem with information about each piece's history, importance, and details of the craft (different clays, porcelains, glazes, firing methods, etc.). In lesser hands this stuff could get boring indeed, but de Waal's brilliant writing makes each ceramic piece a discovery. Taken as a whole, the book's 300 entries weave a persuasive argument for the importance of ceramics in the history of art, implicitly making the case that the medium is deeper, better and more interesting than even art lovers tend to think.What led me to this book was Edmund de Waal's bestselling family and art history memoir, The Hare with Amber Eyes, which chronicles the rise and fall of de Waal's European family. Although not explicitly about ceramics, The Hare With Amber Eyes touches upon most of the fine arts and contains some of de Waal's apparently core ideas about ceramics: the importance that vitrines (cabinets with glass windows) play in experiencing ceramics, both in the home and museum, and how the quiet power of the tactile experience can enrich our appreciation of ceramics, both as art and everyday objects. The book led me to check out de Waal's work online, and I was impressed to see those ideas being vibrantly explored in his current works: installations of minimalist thrown porcelain pots, mostly in vitrines, that play around with ideas of history and art. It's cool to see de Waal explore his central ideas and themes across such different avenues -- a survey of ceramics history, a family memoir, and art installations -- and each adds a greater appreciation of his other works.Finally, I note that the thumbnail of the book's cover here on Amazon does it no justice. The book is a beautifully printed and bound coffee table art book.
10 of 11 people found the following review helpful. Pot of gold By A.lT This book is beautifully produced with each full page illustrating one example of a ceramic pot. They date from early Roman to modern times from a wide range of countries. Each potter is named with date of birth,title of the piece and a summary of the process and relevant history of the time of production. The photographs are stunning and I shall treasure it.
4 of 4 people found the following review helpful. Creativity At Its Best By Judi I chose this book as I really like picture books for starters, but I like the way it was photographed and narrated and covered many styles and era's. Lots of really interesting facts but not too lengthy in its description. I would definitely recommend it to anyone who is interested not only in ceramics, pottery or history, as it's just a lovely record of how gifted some people are.
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